It’s time for another installment of Normal People Listen to Classical Music! In which real humans who don’t usually listen to classical music share their thoughts after listening to a classical piece.
Hometown: McLean, VA
Interests: Short walks to the refrigerator, long walks on the beach, and spending time with friends in comedy clubs
Piece: “Allegro assai” from String Quartet No. 6 in F minor by Felix Mendelssohn
I’d like to say I’m not a COMPLETE novice when it comes to music. I took a music appreciation and a music theory course when I was in high school. However, both classes ended up consisting of listening to Pachelbel’s Canon in D over and over and over to the point where my notebooks became filled with angry puns like “Taco Bells Canon” and “Pachelbel’s Canon needs to be a canOFF.” (Heads up, if you hate puns, leave now.) Needless to say, “music appreciation” didn’t really leave me appreciating music all that much, and as I continued on down the path of life, classical music left me feeling more lost than a Malaysian aircraft. (Is that joke still relevant?)
Then, this past summer a beautiful thing happened to me and I began an internship at The Kennedy Center where I was exposed to more art and music than I could have ever imagined. By the end of the summer I would even say that classical music was alleGROWing on me, so when my friend Carly asked if I would guest write a review for her blog I jumped at the chance, and then took 3 months to actually write the review because balancing 2 comedy groups, several theatrical productions, a career as a stand-up comedian, work, and school is hard…Who sleeps? Anyways, now that you know that classical music isn’t really my FORTE, but puns are, I feel like we can get into the actual review.
The video begins by showcasing the venue, Powerhouse Arena, which appears to be a bookstore and performance space all wrapped into one, or in other words: heaven on earth! I mean, books and art are two great things that go great together, its like milk & cookies, peanut butter & jelly, or cake & my face. The world needs more of these things.
Then, the video continues and we see the string quartet. I’m immediately sent into flashbacks from PachelHELL, and I remember one of my old notes that read “Obe! Violins never solved anything!” but I stuck it out, kept listening, and I wasn’t disappointed. The first notes of the song are super fitting for the arena, because they are a POWERHOUSE! I mean these guys just do not REST! If this song were to play as part of the soundtrack of someone’s life it would probably appear the moment after they accidentally touch someone’s butt while walking past them, and are forced to decide whether or not to acknowledge the situation by apologizing, because that is stressful stuff!
The song continues on to fluctuate between sections that feel calm and somber and other moments that feel angry and violent. In some ways it’s the musical equivalent of the mood swings I feel when someone tells me they’re voting for Trump. The song even ends on a both physically and metaphorically “plucky” moment similar to when I get up the courage to voice my opinions.
Final Thoughts: You leGATo listen to this. I also highly suggest watching the video, because the musician’s faces seem to express everything from “Oh no, we’re in TREBLE” to “Is the music drunk? Its SLURring everything,” and even “Does my instrument really smell like that?” I might even listen to it a few more times myself for good MEASURE.