Regarding integrity (Part 1)

To Whom It May Concern:

This is an open letter to anyone who has ever dismissed sexism in opera as an inherent product of the times.  This is an open letter to anyone who’s ever stumbled upon criticism of racist practices in classical music, and done nothing but shrug, dismissing those criticisms as the ill-informed ramblings of a starry-eyed Social Justice Warrior.

This is an open letter to anyone who thinks that classical music shouldn’t be held to the same standards of critique, dialogue, and evolution as literally every other art form — who thinks that #OscarsSoWhite might apply in Hollywood, but certainly not in the concert hall.

This is an open letter to anyone who claims that calling Don Giovanni a rapist is a step too far.  This is an open letter to anyone who thinks it doesn’t even matter what we call him, because in the end, it’s only an opera, and can’t we leave politics out of it?

No — no we can’t.  Because opera is never only opera, and politics and art are inexorably linked.  And if you happen to feel otherwise — well, this letter is for you.   Continue reading

Advertisements

Classical Music Round-Up: January through March 2016

I’ve been on blogging hiatus for almost two months.  Here’s the low-down.

05maestra-master675-v2
Mirga Grazinyte-Tyla conducting the Los Angeles Philharmonic. (photo via)

It was announced that Gianandrea Noseda will take over the helm of the National Symphony Orchestra next season, while Jaap van Zweden will join the New York Philharmonic at the podium.  Two more white men in charge of major American orchestras?  No big surprise there, but Marin Alsop might have something to say.  Meanwhile, in Britain, Mirga Gražinytė-Tyla will be the City of Birmingham Symphony’s new leading lady, at only 29 years old.  *applause*  And another young conductor on the rise: 25-year-old Jordan de Souza will be heading up Komische Oper Berlin.

We lost some greats in recent months: business mogul turned self-taught conductor Gilbert Kaplan; pioneering composer Pierre Boulez; Pulitzer-winning composers Leslie Bassett and Steven Stucky; Dallas Symphony leader Louis Lane; conducting pedagogue Otto-Werner Mueller; and — just today — maestro Nikolas Harnoncourt.

Now some feel-good stories: a Berlin horn player reflects on collaborating with Simon Rattle before the conductor relocates to London; Tafelmusik’s rendition of Beethoven 9 left one Toronto critic with nothing to criticize; bassist Jane Little just became the longest-serving orchestral musician ever, after 71 years with the Atlanta Symphony; and Ennio Morricone just won his first Oscar after working on the scores for over 500 films.

Mahan Esfahani’s harpsichord recital was interrupted by Baroque-head “rioters,” while scholars have discovered that the taxi horns in Gershwin’s An American in Paris might be pitched in the wrong key, and the Yale School of Music launched its first ever MOOC on Coursera.

As 2016 got off to an alarming start (Donald Trump, anyone?), diverse voices shone — from a powerful performance in a Harlem crypt in solidarity with Black Lives Matter; to violinist Rosemary Johnson and the UK’s Paramusical Ensemble making music through disability; to Julia Wolfe’s big-deal commission — a piece about American women in the workforce — for the New York Philharmonic’s 2018-19 season; to composer Georg Friedrich Haas’ open sexuality.

In U.S. politics, WQXR explored classical music on the campaign trail, while Bernie is, apparently, a gifted maestro.  And in the classical crime beat, an opera singer’s “screams” alerted Amsterdam police, a former St. Paul cellist was caught in a massive drug bust, and a rare French horn stolen six years ago was reunited with its owner.

In Iran, the women of the Tehran Symphony face oppression.  In Germany, an emergency refugee camp is filled with the music of a children’s choir.

Gustavo Dudamel led the Youth Orchestra L.A. at Superbowl halftime.  Grammy-winning violist Kim Kashkashian shares the woes of her name.  The Telegraph had a really interesting conversation with Renée Fleming, Anne Midgette profiled musicians who take time off from performing, and drama continues to unfold in the Buffalo Philharmonic oboe section.

A new Mozart opera was discovered and performed, while for the rest of the opera world, it’s same-old, same-old.

And finally, to end this round-up with a smile: watch a Bach duet played by a 90-year-old husband and wife.

You Won’t Believe These 7 Amazing Last-Minute Classical Music Halloween Costume Ideas

Halloween is right around the corner!  No costume?  No problem.  Classical Conditioning is here to help — complete with mediocre Photoshopping and some horrible, horrible puns.

1. Bach to the Future

Bach to the Future
(images via: 1 | 2)

You will need: An orange vest; a fancy wristwatch; a powdered wig; fourteen children and a penchant for counterpoint.

2. Rite of Spring Break

Rite of Spring Break
(images via: 1 | 2)

You will need: Sunglasses; a bathing suit; your favorite weapon to bring to a music-incited riot (suggestions: frying pan, pitchfork).

3. Hector Berli-O’s

Berli-O's
(images via: 1 | 2)

You will need: A cereal bowl; a spoon; a 19th-century French overcoat; plenty of opium.

4. Mozar-ella Cheese

Mozar(t)ella
(images via: 1 | 2)

You will need: An apron; a chef’s hat; a pizza box; a powdered wig; a pauper’s grave.

(Shout-out to my roommate for this one!)

5.  Hildegard-ians of the Galaxy

Hildegard-ians
(images via: 1 | 2 | 3)

You will need: A nun’s habit; green face paint; a toy raccoon; intergalactic weaponry; divine hallucinatory visions.

(See also: Hildegard von Bangin’)

6. Serial(ism) Killer

Serial(ism) Killer
(images via: 1 | 2)

You will need: A plain T-shirt and a fabric marker (to draw a twelve-tone matrix); fake blood; a fake knife; a hockey mask; a superior intellect.

7. Baroque Ornaments

(images via: 1 | 2 | 3 | 4 | 5)
(images via: 1 | 2 | 3 | 4 | 5)

You will need: Dark green clothing; tinsel; Christmas ornaments and a Sharpie (to draw trills, mordants, appoggiaturas, etc.).  Bonus points if you go around telling other people that their costumes aren’t historically accurate.